With the wedding season just around the corner, Ayeza Khan has stirred up a storm on social media, flaunting some stunning desi formal looks. The dazzling diva has proven once again that she can pull off just about any look.
Be it a simple shalwar kameez, a gown, a lehenga, or a saree – she looks stunning in both traditional and eastern attire, and can carry off any color with utmost grace and panache.
The Mere Paas Tum Ho actress was recently spotted in various desi looks and looked resplendent in all of them. Clad in heavily embroidered ensembles teamed with heavy jewelery, the diva exuded poise while being her bubbly self.
Take a look.
Ayeza Khan’s charm and charisma enhanced the beauty of the ensemble which had an archaic feel, replete with decadent fabrics, meticulous embroidery, and rich and detailed traditional designs.
Ethereal is the word that comes to mind looking at her wedding season vibe.
The next outfit had a good deal of embroidery and shimmer that the designer balanced with subdued colors. The pastel lilac dress accented with a lime green dupatta elaborated the mother of two’s elegance and finesse.
We are totally crushing on Ayeza Khan as she gives us bridesmaid goals with this look!
The dresses combine traditional inspirations and contemporary styling, and some of them are directly inspired by traditional shararas matched with detailed dupattas.
Ayeza Khan looks youthful, bright, and vivid, and proves that she can take on any fashion challenge. Needless to say, she has always inspired us with her sense of fashion taste and easily outshines top fashionistas.
The starlet oozed oomph in a delicately embroidered marigold yellow outfit that served a sober yet glamorous desi look, reminiscent of the quintessential 90’s Bollywood starlet. As elegant and stylish as she is, this desi look by Ayeza Khan bowled us over.
The fresh-faced charmer doesn’t even miss a beat with this simple yet fashionable attire that crosses modern and traditional vibes.
Which look did you like? Let us know in the comments below.
